Sunday, 31 May 2009

The Story of Irish Coffee



In a telling commentary on the pace of change in the modern world this year they will be celebrating the 70th anniversary of trans-Atlantic air travel in Foynes, Co. Limerick, Ireland. Ireland has a special place in this history as the “next parish” to America. In the late 1930s and early 1940s, Foynes served as the hub for the latest mode of air travel - flying boat - between the US and Europe. Every flying boat leaving or arriving in Europe came through Foynes, and by 1940, Foynes Airport was being visited by the glitterati of the day: Ernest Hemingway, Humphrey Bogart, Eleanor Roosevelt, Douglas Fairbanks, Sr.


Foynes Terminal building


Plotting the Atlantic air routes

Passengers disembarking a flying boat were obliged to endure a boat trip to get to the terminal and sometimes found themselves chilled to the bone in the cold, damp North Atlantic winter. While the flying boats were preparing for the next leg of the journey, passengers recouped at the airport; sometimes they even had to stay overnight during poor weather. So much for glamour. It soon became clear that a first-class restaurant showcasing the best of Irish cuisine was needed. By 1942, the restaurant was operating in full swing with Chef Joe Sheridan.

One chilly night, a flight departed Foynes with stops scheduled in Newfoundland and New York, but adverse weather prompted the captain to turn about and head back to Foynes - not an unusual event, but certainly unpleasant, as it meant another trip in the boat. The restaurant was alerted to have food and drink prepared as the passengers would likely be cold, wretched, and in need of cheer.

Joe Sheridan had coffee prepared and decided to put a little something in it to give the passengers a little kick to get them out of their cold slump - so he added a drop (or two) of Irish whiskey to the brew. A surprised American passenger is said to have asked, "Is this Brazilian coffee?" to which Joe replied, "No, that's Irish coffee!" From that day forward, Irish Coffee became known around the world as the official welcoming drink served at Foynes Airport.


Joe Sheridan


Radio Room


Boeing B314 flying boat replica

If you are heading to Adare in C. Limerick it is worth taking in a trip to Foynes on the Shannon Estuary to the Flying Boat Museum which is housed in the restored terminal building of the Trans Atlantic Flying Boat service which connected this sleepy port town to Botwood in Newfoundland and during the war years to Lisbon, Azores, Bermuda and New York.

Foynes, Ireland, became the center of the aviation world from 1939 to 1945. On July 9th 1939, Pan Am's luxury Flying Boat, the "Yankee Clipper" landed at Foynes.

Dining on the Yankee Clipper

During this period, many famous politicians, international businessmen, film stars, active-service-men and wartime refugees passed through Foynes. The site was initially surveyed in 1933 by Colonel Charles Lindbergh and his wife Ann, who landed in Galway Bay flying his Lockheed Sirius. On 21 November 1935 a survey party set out for the West of Ireland and surveyed sites as far north as Athlone and south to Askeaton. Among the sites for a seaplane base which were considered were: the Shannon just below Limerick, Lough Derg, Lough Corrib, Tralee Bay, Kenmare Bay, Lough Ree and Valentia. But it was Foynes, near the mouth of the Fergus River which was finally selected. Its good sheltered anchorage and its proximity to long open stretches of water convinced the surveyors Foynes was the best choice.




The era of the flying boats was colorful but brief. In 1945, hundreds of people watched as Captain Blair piloted the last American Export flying boat out of Foynes to New York. Upon arrival, he turned around and piloted the first landplane, a DC-4, back to open the new airport at Rineanna, later to become Shannon International Airport.

This museum is a good quality and well run visitor attraction with the helpful and friendly staff wearing steward / stewardess uniforms and with a well run cafe serving beverages and snacks surrounded by flying boat memorabilia.

The high point for me was world's only full size Boeing B314 flying boat replica. The originals were all scrapped in 1952 but this faithful replica catches the atmosphere with 7 compartments,(including a honeymoon suite in the tail!) a kitchen and "upstairs" the cockpit and luggage hold. The fact that such large machines flew with the technology of the day is impressive, particularly when you see the rudimentary controls and navigation aids.

Boeing B314 Cockpit

Located at the west end of Foynes, the Flying Boat Museum is housed in the original old terminal building and showcases the Radio and Weather Room, complete with transmitters, receivers and Morse code equipment. The exhibits feature an introduction to the first transatlantic passenger service and Foynes during the war years.

Berths in Flying Boat Compartments

In 1942, Brendan O'Regan opened a restuarant and coffee shop in the Foynes terminal building and employed a Chef named Joe Sheridan. It was not long before Joe realised that the passengers coming to wait in the terminal in cold and rainy weather needed something to make the coffee a bit stronger. Thus, Irish Coffee was born.

Other than the museum Foynes is a quiet and unassuming spot. It has a fine railway station and a now disused line from Limerick terminating in a large stone railway station. To me this would make an excellent visitor attraction if a preserved railway could be run from Limerick with the Flying Boat museum acting as a visitor venue at the line's end. With Glin Castle not far away this area is crying out for some imaginative tourist development to provide a "pit stop" on the journey from Limerick to Kerry.



Now for the recipe. Irish whiskey, not Scotch whisky, must be used. Irish whiskey is triple-distilled, giving it a smoother feel, and it is not as smoky as Scotch. But if you have a taste for Scotch, try Connemara Irish whiskey, which is the only peated Irish whiskey. The most common brand of whiskey used is Jameson, which is quite readily available but my own favourite is Tullamore Dew.

Ingredients.

As Oscar Wills Fingal O’Flaherty Wilde would describe them;

Cream as rich as an Irish brogue
Coffee as strong as a friendly hand
Sugar as sweet as the tongue of a rogue
Whiskey as smooth as the wit of the land


But as a bartender would describe them;

1 cupful of strong, hot, black coffee
1 tsp Demerara sugar
1 measure Irish whiskey (Yes, that’s whiskey with an “e”)
1 small carton fresh double cream


Method

1. Heat a stemmed whiskey goblet, put a metal spoon in it and pour enough of the coffee to fill it just over half way.
2. Pour in one jigger of Irish whiskey
3. Add one spoon of brown sugar. Fill with strong black coffee to within one inch of the brim
4. Stir to dissolve the sugar. Top off with whipped cream, slightly aerated, by pouring it over the back of a spoon, so that it floats.

Do not stir after adding the cream as the true flavour is obtained by drinking the hot coffee and Irish whiskey through the cream.



Now the important part of the method is that cream and the coffee stay entirely separate. If you put in the metal spoon first it distributes the heat evenly and stops the glass from breaking. You must stir in the sugar and dissolve it as this changes the consistency of the liquid and ensures the cream floats on top. Then your double cream must be whipped until just stiff. This way the coffee and cream don’t mix and the “effect” of Irish Coffee is achieved by drinking the coffee / whiskey mix through the cream. So you can see why spray creams etc; will NEVER do the job.

Imitation has been the sincerest form of flattery with Irish Coffee spawning a world of speciality liquor coffees but there is none to beat the original, well done. Also for the record Joe used Bewley’s Coffee and Paddy Power’s whiskey for his original coffee. Bewleys were a wonderful Quaker family firm of cafes in Dublin who used to roast the coffee beans in the front window for passer bys to see the spectacle. As a child I didn’t need directions to Bewley’s cafes you just followed the smell of the coffee vented into the street which gave them free sensory advertising!

My favourite Irish coffee story concerns a party of Irish diplomats, including the writer Conor Cruise O’Brien, whose flight back to Ireland was delayed in New York. They were taken to the VIP lounge where a waiter appeared and the following conversation ensued;

Waiter “Coffee, gentlemen?”

Cruise O’Brien “Only if it is like Ireland should be; Not just free but Gaelic also!”

Saturday, 23 May 2009

Aung San Suu Kyi's life on the line



The military junta in Myanmar (Burma) wants to throw Aung San Suu Kyi in jail for 5 years. Act now so we can flood General Than Shwe's office with letters:

http://takeaction.amnestyusa.org/siteapps/advocacy/index.aspx?c=jhKPIXPCIoE&b=2590179&template=x.ascx&action=11134

Aung San Suu Kyi faces her oppressors this week on charges that could land her in jail for five years.

The trial comes just days before she was set to be released from house arrest.Her life is on the line. Aung San Suu Kyi's health is at risk, and five years of torture and abuse at the infamous Insein prison in Myanmar could spell disaster.

Our rapid response to these developments started last week in Australia (a member of ASEAN) when the Amnesty section there mobilized and generated over 7,000 letters to ASEAN. Yesterday, the chairman of ASEAN called on Myanmar to release Aung San Suu Kyi.

With the international pressure snowballing, it's time to focus on General Than Shwe, leader of the military junta.

Please write to General Than Shwe and urge him to release Aung San Suu Kyi:

http://takeaction.amnestyusa.org/siteapps/advocacy/index.aspx?c=jhKPIXPCIoE&b=2590179&template=x.ascx&action=11134

Will you forward this email to friends and to your networks, so we can reach at least 30,000 letters within the next 24 hours?

The stakes couldn't be higher: Aung San Suu Kyi's life is on the line.

Almost 20 years ago, Aung San Suu Kyi's party won over 80% of the vote, making her the rightful political leader of Myanmar. The military refused to hand over power, brutally oppressing any dissent, and imprisoning Suu Kyi for 13 of the last 19 years. Daw Aung San Suu Kyi, a recipient of the Nobel Peace Prize, has been detained for 13 of the last 19 years, mostly under house arrest. On May 14, 2009, Aung San Suu Kyi and two of her assistants were taken from her home to Insein Prison following an incident in which an American man allegedly swam across a lake to her house and stayed there for two days. Reliable reports beginning in early May confirm that while still confined in her Yangon home Aung San Suu Kyi had been suffering from dehydration, low blood pressure and weight loss. Her medical condition makes her transfer to Insein Prison at this time doubly serious. Please call on Myanmar’s leaders to free Aung San Suu Kyi and all other prisoners of conscience.

Wednesday, 13 May 2009

Global Day of Action for Troy Davis



Troy Davis, a man who may well be innocent, has a 30-day stay of execution that is about to expire. No court has yet held a hearing on the new evidence of tainted testimony, yet they are willing to end his life. On May 19th, every person can help make a difference by participating in any activity, event or creative action that calls attention to the injustice of his case.

Troy Davis' stay of execution is set to expire and he could be executed at any time. On May 19, people all around the world will be organizing events to stop the execution of Troy Davis.

Join Amnesty by participating online on May 19th!

3 EASY STEPS:

1. Change your profile picture on Facebook to the "I Am Troy Davis" graphic used for this event, and update your status to spread the word about Troy on May 19.

2. Sign the petition to have Troy's sentence commuted:

http://amnestyusa.org/troydavis

3. Invite your friends to join you!

Learn more at: http://www.amnestyusa.org/troy



Where is the Justice for me?

A plea from Troy Davis


Where is the Justice for me? In 1989 I surrendered myself to the police for crimes I knew I was innocent of in an effort to seek justice through the court system in Savannah, Georgia USA. But like so many death penalty cases, that was not my fate and I have been denied justice. During my imprisonment I have lost more than my freedom, I lost my father and my family has suffered terribly, many times being treated as less than human and even as criminals. In the past I have had lawyers who refused my input, and would not represent me in the manner that I wanted to be represented. I have had witnesses against me threatened into making false statements to seal my death sentence and witnesses who wanted to tell the truth were vilified in court.

For the entire two years I was in jail awaiting trial I wore a handmade cross around my neck, it gave me peace and when a news reporter made a statement in the local news, “Cop-killer wears cross to court,” the cross was immediately taken as if I was unworthy to believe in God or him in me. The only time my family was allowed to enter the courtroom on my behalf was during the sentencing phase where my mother and sister had to beg for my life and the prosecutor simply said, “I was only fit for killing.” Where is the Justice for me, when the courts have refused to allow me relief when multiple witnesses have recanted their testimonies that they lied against me?


Troy Davis Rally

Because of the Anti-Terrorism Bill, the blatant racism and bias in the U.S. Court System, I remain on death row in spite of a compelling case of my innocence. Finally I have a private law firm trying to help save my life in the court system, but it is like no one wants to admit the system made another grave mistake. Am I to be made an example of to save face? Does anyone care about my family who has been victimized by this death sentence for over 16 years? Does anyone care that my family has the fate of knowing the time and manner by which I may be killed by the state of Georgia?

I truly understand a life has been lost and I have prayed for that family just as I pray for mine, but I am Innocent and all I ask for is a True Day in a Just Court. If I am so guilty why do the courts deny me that? The truth is that they have no real case; the truth is I am Innocent.

Where is the Justice for me?

By Troy A. Davis



AMNESTY INTERNATIONAL USA
PRESS RELEASE
June 25, 2007


Supreme Court's Death Penalty Ruling in Troy Davis Case Reveals 'Catastrophic Flaws in the U.S. Death Penalty Machine'

(Washington, D.C.) -- Amnesty International is deeply disappointed with today's Supreme Court ruling that permits the execution of Troy Anthony Davis in Georgia. The organization maintains that evidence in his favor, which has never been heard in a courtroom, is enough to demonstrate that Davis should be granted a new hearing.

"The Supreme Court decision is proof-positive that justice truly is blind -- blind to coerced and recanted testimony, blind to the lack of a murder weapon or physical evidence and blind to the extremely dubious circumstances that led to this man's conviction," said Larry Cox, executive director of Amnesty International USA (AIUSA). "At times there are cases that are emblematic of the dysfunctional application of justice in this country. By refusing to review serious claims of innocence, the Supreme Court has revealed catastrophic flaws in the U.S. death penalty machine."

Troy Anthony Davis, who is African American, was convicted in 1991 of murdering Mark McPhail, a white police officer. Davis' conviction was not based on any physical evidence, and the murder weapon was never found.


Troy Davis with his mother

The prosecution based its case on the testimony of purported "witnesses," many of whom allege police coercion. Seven of the nine non-police witnesses for the prosecution have recanted their testimony in sworn affidavits. One witness signed a police statement declaring that Davis was the assailant, then later said, "I did not read it because I cannot read." In another case a witness stated that the police "were telling me that I was an accessory to murder and that I would ... go to jail for a long time and I would be lucky if I ever got out, especially because a police officer got killed ... I was only 16 and was so scared of going to jail."

There are also several witnesses who have implicated another man in the murder. According to one woman, "People on the streets were talking about Sylvester Coles being involved with killing the police officer, so one day I asked him ... Sylvester told me that he did shoot the officer."


Martina Davis at a rally in Paris

Despite this, Davis' habeas corpus petition was denied by the state court on a technicality -- evidence of police coercion was "procedurally defaulted," that is, not raised earlier, so the court refused to hear it. The Georgia Supreme Court and 11th Circuit Federal Court of Appeals deferred to the state court and rejected Davis' claims. Today the U.S. Supreme Court refused to hear his case and Davis is now left without any legal recourse; he could be executed within weeks. It is shocking that in more than 12 years of appeals, no court has agreed to hear evidence of police coercion or consider the recanted testimony.

"It is appalling that so many judges were able to look away from such a grave breach of justice. Evidence of innocence simply hasn't mattered," said Sue Gunawardena-Vaughn, director of AIUSA's Program to Abolish the Death Penalty. "This should be viewed as a day of great shame for our nation, one in which the green light was given to execute a citizen who may well be innocent."

See also;

http://daithaic.blogspot.com/2008/10/stay-of-execution-for-troy-davis.html


Troy and his sisters

Tuesday, 12 May 2009

Ride on Sarah!


Sarah Siddons

Sarah Siddons (5 July 1755 – 8 June 1831) was the most famous female actress in Georgian Britain and was the best-known tragedienne of the 18th century. She was most famous for her portrayal of the Shakespearean character: Lady Macbeth, a character she made her own. In private life Siddons enjoyed the friendship and respect of many of the most eminent persons of her time. Horace Walpole at first refused to join the fashionable chorus of her praise, but he was ultimately won over. Samuel Johnson wrote his name on the hem of her garment in the famous picture of the actress as the Tragic Muse by Reynolds (now in the Dulwich Gallery). "I would not lose", he said, "the honour this opportunity afforded to me for my name going down to posterity on the hem of your garment." Siddons died in London on the 8th of June 1831, and was buried in Paddington churchyard. This is now Paddington Green and located on the south side, facing the Marylebone flyover is the statue of Sarah Siddons, by Chevaliand, which was erected in 1897, as she lived in the neighbourhood when Paddington was still rural.


Paddington Green

Her house, where she gave private readings, once stood on what is now the top of Baker Street in London at the side of the Metropolitan Line’s Baker Street Station and was in fact demolished by the railway in 1928 when Baker Street was extended as far as the Outer Circle of Regents Park. The railway must have felt guilty about this act of vandalism because they erected a plaque on the site and named the electric locomotive after her which is today the last operating electric locomotive of this series. ( http://daithaic.blogspot.com/2008/01/great-circle-line-journey.html )

Sarah Siddons, the oldest working main line electric locomotive in Britain will make special trips between Harrow-on-the-Hill, via Rickmansworth to Amersham on Sunday 17 May as part of the Rickmansworth Festival. Engine no. 12, Sarah Siddons, was built in 1922 and is the last operational Metropolitan Railway electric locomotive; the only surviving working engine out of 20 built by Metropolitan Vickers and mostly named after people associated with the area served by the Metropolitan Railway. The engines had a top speed of 65 miles per hour.



Sarah will pull carriages dating back to the 1950s and is making four special trips. Adult tickets cost £20.00 and they're only £3.00 for children. However, the first journey is £25.00 as it travels via Watford and the north curve.

A vintage bus service including the Museum's prototype Routemaster bus RM1 will run from Rickmansworth station to the Rickmansworth Festival site at Batchworth Lock.

You can book tickets on this link;

https://ticket.ltmuseum.co.uk/peo/auto_choose_ga.asp?area=65

or by phone on 020 7565 7298.


Rickmansworth is known as the “Gateway to the Chilterns” and is the lynch pin of “Metroland” – the land developed by the Metropolitan Railway to finance its expansion into Hertfordshire and Buckinghamshire. One notable claim to fame is its inclusion on the opening page of The Hitchhiker's Guide to the Galaxy by Douglas Adams. Colloquially Rickmansworth is often shortened to "Ricky" as used in the town's annual "Ricky Week" celebrations. The town's canal history (It is on the Grand Union Canal) is remembered every year at the end of Ricky Week with the Rickmansworth Festival.

Rickmansworth also has a famous frost hollow caused by the Metropolitan Railway. This is caused by the local geography, notably the railway embankment which prevents the natural drainage of cold air from a specific part of the valley. Rickmansworth recorded the largest daily temperature range in England when, on 29th August 1936, the temperature climbed from 1.1°C at dawn to 24.9°C within 9 hours due to this unique geographic feature.

The Rickmansworth Festival takes place on the third weekend of May every year and celebrates canals, the community and the environment. Now going for over fifteen years, it is the highlight of the town’s annual calendar and finale of Rickmansworth Week.



The top attraction for many is the wonderful array of canal boats from across the country - a unique spectacle moored along the towpath up to four deep. The Rickmansworth Festival started as purely a canal based festival in 1993, initially as part of the British Waterways "Canals 200" celebration that year. The first event used Rickmansworth Aquadrome as the main location for land activities, although in following years a much smaller festival centred upon Batchworth Lock.

An Environment Fair organised by Three Rivers District Council, held separately in the Aquadrome, was incorporated about six years ago. The festival then outgrew Batchworth Lock, once again moving into the Aquadrome to provide extra space and a wider community focus. Entertainment also increased to offer three live music stages at the Aquadrome, Batchworth Lock and in the on-site beer tent (acoustic only), which are dedicated particularly to allowing young musicians to perform.



There will be a flypast from the Battle of Britain Memorial Flight Spitfire on the Saturday afternoon, weather permitting. There will also be a Metropolitan Line Heritage Train running between Harrow, Rickmansworth and Amersham on Sunday with vintage bus service from Rickmansworth station to Batchworth lock.

http://www.rwt.org.uk/festival.html

One of the permanent exhibits on the canal is Roger who was once a working narrow boat on the Grand Union Canal between London and the Midlands, delivering mainly coal to factories along the route. The eventual demise of commercial trade led to Roger unloved and in poor repair. Liable to sink at any moment, he was rescued and lovingly restored to his former glory by the Rickmansworth Waterways Trust. Now Roger is back and part of activities to educate a new generation in canal history.


Batchworth Lock

Roger had a long and varied career as a working boat on the Grand Union Canal since Bushell Brothers of Tring built him in 1936. He took his cargo whenever it was needed – mainly coal – to many a factory along the route between London and the Midlands.

One of Roger’s jobs was to deliver coal from Coventry to John Dickinson’s paper mill next to the Grand Union at Croxley – at the time the largest in Europe. This work came under the stewardship of canal commerce stalwarts Arthur Bray, his wife Rose and her son Ernie Kendal. Roger carried 20 tons of coal for the 86 hour round trip, his "buddy" (butty) boat Raymond taking a further 30 tons. On arrival at the mill, the Brays unloaded their cargo from both boats hand by hand and earned at most £16 for their efforts.

Both boats later carried coal from Coventry to a jam making factory in Southall, a 240 mile round trip with more than 200 locks to pass through! Loading, travel and unloading took a full seven days. The competition on this trip was fierce and only one boat could load or unload at any one time. So it was important to arrive first and avoid hanging around – because crews were paid only for the tons of coal they were able to deliver.


Roger - First on right

Work gradually declined throughout the 1960's as ownership of Roger changed. He ended his working life when, worn out, he was replaced on the "Jam ‘Ole" run in 1968 by the Nutfield. The factory itself struggled and soon disappeared leading to the eventual demise in 1970 of the company Blue Line that now operated the boats. By the early 1990s, Roger found himself unloved and in poor repair in a pit beside the canal at Maple Cross. Liable to sink at any moment, Rickmansworth Waterways Trust stepped in to save the day.


Sarah Siddons Cab

For the serious anoraks amongst my Blogistas here are the names of the Metropolitan Electric Locomotives of which Sarah is the last working survivor;

No 1 John Lyon - Named after the Founder of Harrow School

No 2 Oliver Cromwell - Original name for No 2 - Lord Protector and Father of today's Parliamentary system

No 2 Thomas Lord - the only Met Loco to be renamed - Founder of Lords Cricket Ground.

No 3 Sir Ralph Verney - Involved in Railways being built and Verney Junction is named after him;

See; http://daithaic.blogspot.com/2008/03/claydon-house-buckinghamshire.html

No 4 Lord Byron - Poet was sent to Harrow School

No 5 John Hampden - M.P... for Wendover

See; http://daithaic.blogspot.com/2008/08/wendover-buckinghamshire.html

No 6 William Penn - Lived near Amersham imprisoned for his Quaker beliefs.

See; http://daithaic.blogspot.com/2008/06/poems-on-underground.html

No 7 Edmund Burke - M.P. For Wendover.

No 8 Sherlock Holmes - Fictional Detective based at Baker Street near the Mets HQ

No 9 John Milton - Poet lived Chalfont St Giles.

See; http://daithaic.blogspot.com/2008/08/surly-republican.html

No 10 William Ewart Gladstone - Prime Minister; Took part in the first trip of the Metropolitan railway on the 24th May 1862

No 11 George Romney - Artist specialising in portrait painting.

No 12 Sarah Siddons - Actress sometimes gave private readings at Baker Street



No13 Dick Whittington - Lord Mayor of London

No 14 Benjamin Disraeli - Tory M.P.

No 15 Wembley - Named after the British Empire Exhibition 1924

No 16 Oliver Goldsmith - Well known Novelist

No 17 Florence Nightingale - Nurse during Crimean War whose sister married Lord Verney.

No 18 Michael Faraday - Involved in research that helped develop the electric railway as we know today

No 19 John Wycliffe - A Religious Reformer no link to London or the Met

No 20 Sir Christopher Wren - Involved with the rebuilding of the city of London

Saturday, 9 May 2009

Blingtastic!


Create Fake Magazine Covers with your own picture at MagMyPic.com





Create Fake Magazine Covers with your own picture at MagMyPic.com




Cleopatra was a holiday romance. It didn't work out as her family didn't think I was good enough and they suspected if it ended I was going to make her into a Kebab stall. She has now found happiness with a camel called Mark Anthony! At the end of the day it is not easy being a Biped.


Create Fake Magazine Covers with your own picture at MagMyPic.com





Create Fake Magazine Covers with your own picture at MagMyPic.com





Create Fake Magazine Covers with your own picture at MagMyPic.com





Create Fake Magazine Covers with your own picture at MagMyPic.com




Athlete of the Year!

http://daithaic.blogspot.com/2009/03/grand-slam.html



Create Fake Magazine Covers with your own picture at MagMyPic.com




Work!! It is the curse of the drinking classes!

Wednesday, 6 May 2009

Jardins Majorelle, Marrakech



In a hot climate the idea of a secluded garden with water at its centre was a haven from the heat and noise and in fact the word so redolent with meaning and symbolism in our culture, “Paradise” comes from the Persian for a water garden. From the time of the Achaemenid dynasty the idea of an earthly paradise spread through Persian literature and example to other cultures, both the Hellenistic gardens of the Seleucids and the Ptolemies in Alexandria. The Avestan word pairidaêza-, Old Persian *paridaida-, Median *paridaiza- (walled-around, i.e., a walled garden), was transliterated into Greek paradeisoi, then rendered into the Latin paradisus, and from there entered into European languages, e.g., French paradis, German Paradies, and English paradise. The word entered Semitic languages as well: Akkadian pardesu, Hebrew pardes, and Arabic firdaws.

As the word expresses, such gardens would have been enclosed. The garden's purpose was, and is, to provide a place for protected relaxation in a variety of manners: spiritual and leisurely (such as meetings with friends), essentially a paradise on earth. The Persian word for "enclosed space" was pairi-daeza, a term that was adopted by Christian mythology to describe the Garden of Eden or Paradise on earth.





The great work of Persian poetry the Rubáiyát of Omar Khayyám (albeit, rewritten and reinterpreted by an Irishman, Edward Fitzgerald) also has the famous Persian Astronomer and Mathematician Hakim Omar-e-Khayyam reflecting on life in a garden.

A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread - and Thou
Beside me singing in the Wilderness -
Oh, Wilderness were Paradise enow!"


Indeed the great poet and mathematician of Iran, Hakim Omar-e-Khayyam now rests in a Mausoleum which is situated in a beautiful garden in Nishapur. This mausoleum was constructed in 1341 A.H. (1962 A.D.).




Marrakech Riads

Marrakech, known as the "Red City or Al Hamra," is for most visitors defined by two sensations the dust and bustle of the Medina and Souks and the quiet and beauty of the city’s gardens. There are the great public gardens and then there are the Riads or “Garden Houses.” From the outside just a doorway in a cul de sac or Djerb but inside there is a cool courtyard garden with a pool, fountain, overhanging balconies and seating niches in which to relax, read or smoke a shisha. Indeed with the “credit crunch” and accompanying stress many people are turning to their gardens for balm and reassurance from the stresses of modern life. The failure of the vacuous economic model of increasing output and consumption is mirrored by the changes in people’s lives. To define yourself by your ability to consume is as vacuous as a trip through the second floor of Selfridge’s department store in London where air heads validate their empty consumer lifestyle with the flotsam of the throwaway fashion world. Indeed the gardener and plain person’s philosopher Alan Tictmarsh has commented that “Gardening is the new sex!” whilst hastily adding that he preferred the traditional variety. But there is no doubt that people are returning to their gardens for their traditional purpose of a place of rest and reflection and as a personal haven.




A garden Sage

And so back to Marrakech which is one of those places on earth which lives up to the hype. It is an amazing medieval city contained within 12 kms of walls or "ramparts" surrounded by a Francophile "Ville Nouvelle", surrounded by palm groves and overlooked by the High Atlas and with an amazing culture and vitality. There's only one world to define it: magical... There are a thousand legends which describe its history, which began in 1070 when the Saharan Almoravid Abou Beker, the leader of a powerful army, encamped in the plain of Hauz, at the base of the upper Atlas Mountains. Marrakech, the capital of the south, has a mysterious and seductive air. Marrakech, a name with a magical sound that evokes palm groves and caravans, oriental markets and international spies, and duels to the death in an oasis of peace. Many are the roads which lead to Marrakech but the most famous is the P.7, which comes from Casablanca. The crossing of the plain after Ben Guerir, in all its disturbing bareness, lets you understand how Marrakech represents a passage way to the centre of Morocco. More than any other city, it epitomises the idea and the stereotypes of the culture and the traditions of the country. So, it is an excellent starting point for those who want to discover what Morocco can offer in the city which gave the country its name.


Menara Gardens

The pride and joy of Marrakech are its gardens which are taken care of with an age-old passion that dates back to the days of the Almoravids. The truth is that there wouldn't even be a palm tree in Marrakech if these sovereigns hadn't started planting them. Since then, the number of parks has multiplied and no one here finds it strange that a garden, like a building, can boast antique origins. This is the case of the AGuedal o Agdal, a word that means an irrigated garden, created in the XII century by the Almohad Abd el-Moumen. Much smaller and cosier, the garden of the Menara has a pavilion surrounded by cypresses which seems to have been the place where the sultan met his mistresses. As for Marrakech’s famous palm grove, which has an area of 13,000 hectares, it has no less than 100,000 trees. The fastest way to visit it is by car. A more striking way to see the grove is on a classic carriage ride, perhaps preceded by a tour of the ramparts of the hispano-moorish monumental doors. But above all, I recommend a visit to the Majorelle gardens, located north-east of Gueliz in the Ville Nouvelle. Created in the '20s by the French painter Jacques Majorelle, these unique gardens are home to bougainvilleas, coconut, banana and palm trees as well as rare and exotic plants, some of which have strange and menacing forms.





But for me the most wondrous gardens are the ones in the Ville Nouvelle sketched with an artist’s palette of bright gouache paints in cobalt blue, titanium yellow and sea green, the Jardins Majorelle. These iconic gardens were designed by the French painter, Jacques Majorelles who brought an artists eye to the gardens with his wonderful use of colour. In amongst the cacti, bamboos and bougainvillea is the magnificent blue villa housing Museum of Islamic Art. The gardens and museum were restored and are owned by Yves St. Laurent and his partner who have a house in the grounds.


Jacques Majorelle 1950


Jacques Majorelles's House

Jacques Majorelle was born in 1886 in Nancy (France). In 1919 he settles in Marrakech to continue his career as a painter, where he acquires the land for his studio which was going to become the Majorelle garden. After the war in 1947 he opened his garden's doors to the public. Following a car accident, he returned to France, where he died in 1962. In 1980 Pierre Bergé and Yves Saint Laurent purchase the garden and begin to restore it.





The garden contains one of the more important collections of plants of his era where plants of the five continents are exhibited in an enchanting setting. The uniqueness of the place lies in the combination of a luxurious vegetation and architectural elements combining restraint and traditional Moroccan elements. Jacques Majorelle was born in 1886 within a family of artists. His father, Louis Majorelle, was a celebrated cabinetmaker of Nancy. Inspired by his father’s artistic friends he enters the Academy of Fine Arts of Nancy in 1901, and then goes to the Julian Paris Academy. Inspired by the prevailing fashion of the "easel in nature", he is initially inspired by Brittany. It is later in Spain, where he goes to recover from tuberculosis, that he discovers his passion for the south.





There he develops a Mediterranean style of painting inspired by Moorish Andalucia which features strong colours, simple shapes and an originality of subjects. In 1910 he discovers Egypt and the Nile. He views the orient with a new eye, deprived of all orientalist fantasies. In 1919 Jacques Majorelle settles in the medina of Marrakech where he mixes with the French colonial upper middle class. He captures the life of the Souks with their marvellous light and riot of colours. He was also attracted by the Berber regions of the magnificent High Atlas, the geometry of the villages and the Kasbahs of clay fascinated him. The south of Morocco occupied a big part of his existence and the light and vibrancy of Marrakech and Morocco which was later to attract Winston Churchill and many other artists enraptured him and inspired his art.


Date Souk Marrakech - Majorelle depicts complexity with simple shapes


Tourist poster for Tangier


Kasbah, Atlas Mountains

Beside his canvasses, Majorelle created tourist posters for Morocco, and he took part in the decoration of the famous art deco Mamounia hotel in Marrakech. Between 1945 and 1952 the quest of beauty brought him to discover Black Africa (Sudan, Guinea, the Ivory Coast, Niger and Senegal), where he painted a set of canvasses of glaring contrasts, showing a great creativity. Nevertheless, Jacques Majorelle always came back in the haven of peace that he constructed in 1924 in border of palm grove in Marrakech. His main residence, currently the private property of Yves Saint Laurent and Pierre Bergé, was created in the image of Marrakech palaces: architectural simplicity, games of water and lush vegetation. In 1931, the architect Paul Sinoir conceived the blue workshop, nowadays the home of an Islamic Art Museum. Majorelle rushed then created his botanical garden as a setting for his home and studio and brought plants from the whole world: cactus, yuccas, water lilies, jasmines, bougainvillea and much more.









After Majorelle’s death in 1962 the garden remained open to the public but lack of maintenance and money led to its decline. In 1980 Yves Saint Laurent and Pierre Bergé, until there visitors and admirers of the Majorelle garden, purchased it, thus saving it from real estate speculators whose concrete blight had devastated the great inheritance of Marrakech’s gardens. Restoration work started funded by these generous new benefactors and in January 2001 a trust under the discreet patronage of Pierre Bergé et Yves Saint Laurent guarantees the future of these unique gardens. Since the Eighties, the blue workshop, conceived in 1931 by the architect Paul Sinoir houses the Islamic Art Museum. This museum displays the personal collection of Pierre Bergé and Yves Saint Lauren. It exhibits objects of Islamic art coming from Maghreb, Orient, Africa and Asia. In this extraordinary collection we can admire ceramics and potteries of a great value, weapons and magnificent jewellery, textiles, carpets, woodworks and other treasures. A space is also devoted to the works of Jacques Majorelle, creator of the garden.





Yves Saint Laurent was hailed as a 20th century cultural icon who revolutionised the way women dressed. The reclusive Saint Laurent's couture creations won global fine art status and he was widely considered to be one of an elite club of designers including Christian Dior and Coco Chanel who made Paris the fashion capital of the world. From Princess Grace of Monaco to the actress Catherine Deneuve, Saint Laurent's creations adorned many famous women but he was also the first designer to make luxury labels accessible to a wider audience through innovative read-to-wear collections.


Yves Saint Laurent

Saint Laurent and Mr Bergé began collecting art in the 1950s, at a time when the young designer was gaining a worldwide reputation with the fashion house Christian Dior. He needed art "like water to survive", in the words of one dealer, and acknowledged that his creations were inspired by his passion for paintings. Yves Saint Laurent died of cancer aged 71 in June last year. St Laurent, who was born and grew up in Algeria, had a particular affinity with the Maghreb.


Islamic Museum

To my mind the combinations of amazing and eclectic planting and vibrant colour in an enclosed haven with cooling water and enticing vistas makes for a unique garden and setting which is both out of place and at the same time at one with the great Persian traditions of gardens as a place apart, a soothing vision of happiness. Its setting in this great and unique Arab and Berber city with its superb public and private gardens reflecting Man’s inner soul adds to the riches and sensation of this place apart. And in the midst of this special place this is a place apart, one artists vision which others have fallen in love with and lavished with care and thought. Truly this garden stands as a vision of Paradise and no visit to the Red City is complete without sitting in this cooling space and allowing it to work its magic.

See also;

Marrakech Guide;

http://daithaic.blogspot.com/2007/10/marrakech-red-city-on-budget.html


Eileen Gray’s Armchair;

http://daithaic.blogspot.com/2009/02/eileen-grays-armchair.html


Tuesday, 5 May 2009

Stop Child Offender Executions in Iran


Delara Darabi

Just five days after the execution of child offender Delara Darabi in Iran, the government there is set to kill two more juvenile offenders tomorrow.

This news comes despite widespread international consensus that because of children’s immaturity, impulsiveness, vulnerability and capacity for rehabilitation, their lives should not be written off so permanently – regardless of the severity of the crimes they are convicted.

Amir Khaleqi and Safar Angooti are set to be executed early Wednesday, May 6, at 4 a.m. local time in Evin prison. The scheduling of these executions, just days after killing Delara Darabi, show that the Iranian authorities have total disregard for international law which unequivocally bans the execution of those convicted of crimes committed under the age of 18.

According to their lawyer, Mohammad Mostafaie, Amir Khaleqi killed a man during a fight when he was drunk. Amir does not remember how the incident happened but was so remorseful that he turned himself into the police. He was 16 years old at the time. Amir was eventually convicted, despite the court taking into consideration that he was intoxicated, and a juvenile offender.

Safar Angooti was convicted of murder at age 17. According to the newspaper Etemad, in April 2008, Safar Angooti stabbed a rival suitor who was talking to a girl he liked and was sentenced to death. Safar claimed that he had killed the man but not intentionally. At least 135 other juvenile offenders are also known to be on death row in Iran.

Amnesty members are launching worldwide activities tomorrow in front of Iranian embassies hoping the publicity will stop tomorrow’s possible execution of Amir Khaleqi and Safar Angooti. You can take action right now by sending a message to Iranian authorities demanding an end to the executions of child offenders in Iran.

http://www.facebook.com/ext/share.php?sid=89356461933&h=G_Mi2&u=MKDeC&ref=mf

Ayatollah Sayed Ali Khamenei - His Excellency

I am writing to you to express my deep concern about the imposition of the death penalty for child offenders in Iran. At the current time, at least 130 child offenders are reportedly facing the death penalty in Iran. Iran is the only country in the world known to have executed a child offender in 2008.

I am especially disappointed that, even though a statement issued by your government on October 16, 2008, appeared to announce a moratorium on the execution of all child offenders, a second statement issued on October 18 clarified that the moratorium would not apply to those sentenced to qesas or retribution. I am further deeply disturbed at the execution on October 29 of Gholamreza H. who was seventeen at the time of his alleged crime. He is the seventh known juvenile offender to have been executed so far this year.

Iran is a state party to the International Covenant on Civil and Political Rights which states in Article 6 that, “Sentence of death shall not be imposed for crimes committed by persons below eighteen years of age.” The Convention on the Rights of the Child, to which Iran is also a state party, states in Article 37 that, “Neither capital punishment nor life imprisonment without the possibility of release shall be imposed for offenses committed by persons below eighteen years of age.” On September 2, 2008, the United Nations High Commissioner for Human Rights called on Iran to end juvenile executions.

I urge you to overturn the death sentences of all child offenders in Iran and to implement a moratorium on all executions of those convicted of crimes committed before they were 18 years of age, including those who were sentenced to qesas.

Thank you very much for your attention to this matter.



http://blog.amnestyusa.org/deathpenalty/two-more-child-offenders-face-execution-in-iran-tomorrow/

Monday, 4 May 2009

Lacey Green Windmill



I’m sure nobody needs to be reminded that next weekend is National Mills Weekend which is held on the second weekend of May each year in the UK. The weekend is organised by the Mills Section of the SPAB (Society for the Protection of Ancient Buildings). As many wind and water mills as are able open on one or both of the two days of the weekend, in all over 400 mills should be open to the public. National Mills Weekend shows how important these wonderful buildings are, both in terms of our national heritage and our landscape. And, with increasing interest in natural food production and sustainable power sources it's hardly surprising that people want to find out more.

The Chilterns and Buckinghamshire and Oxfordshire generally are home to many mills, a good number of which have been restored by dedicated volunteers. There are no less than 34 such mills within 25 miles of where we live as the Chiltern Escarpment and the upland north of Aylesbury Vale provides the windy conditions to power windmills and the good arable land hereabouts provided the grains. It is easy to look at these today and not realise that these are in fact sophisticated and highly developed pieces of industrial technology which in a pre-steam and motive power world provided the technology to meet the dietary needs of the population.


The Windmill before restoration

Indeed close by we have the four main types of mill represented. Quainton has a 6-storey tower mill built in 1832, which ceased working by wind in 1890, milled under steam until c 1914 and which has a unique wrought iron cap. It towers over the surrounding landscape and a visit can be coupled with a visit to the nearby Bucks Railway Centre at Quainton Junction or the wonderful Claydon House with its many associations with Florence Nightingale. (http://daithaic.blogspot.com/2008/03/claydon-house-buckinghamshire.html ) Brill Windmill is a post mill with a roundhouse, thought to be of late 17th century origin, but with later alterations and additions. Restored in 1948 but does not work or turn to wind. Another post mill in the area is Pitstone Windmill at Ivinghoe, a 17th century post mill with a brick roundhouse, last worked in 1902. This is believed to be one of the oldest post mills in the country. It was restored to workable condition by volunteers in 1963-70, but no longer able to turn to wind. It is owned by the National Trust.



Nearby is Ford End Watermill which is a small, brick and weather boarded watermill with a mansard roof, overshot waterwheel and two pairs of stones. First recorded in 1616, but built earlier on the site of an old farm mill; in use until 1963. It was restored to working order by a succession of volunteers now under the Ford End Watermill Society; it retains the atmosphere of the late 1800s. It still mills flour using the original machinery and has an unusual sheep wash in tailrace. Nearby is the Pitstone Farm Museum which gives an excellent insight into life in rural Bucks in times gone by.



However my own favourite is the smock mill at Lacey Green both for the charm of the structure and the charm of the small group of enthusiasts who have lovingly restored it and open it to the public. It is a 4-storey smock mill, built about 1650 and last worked about 1915. It is believed to be England’s oldest surviving smock mill and it was restored to turning order by the Chiltern Society under the leadership of Christopher Wallis in 1971. It is called a “Smock Mill” as its splayed shape is reminiscent of a traditional farmer’s smock. It was repainted last year and had its fan tail (which turns the Cap and the sails) replaced so it is looking very smart in its prominent position on the edge of the Chilterns at the moment.


The Mill Workings

By its construction methods, the internal wooden machinery appears to date from the middle of the 17th century, around 1650. Tracing the 19th century history of the mill is closely tied to records of the millers who operated it. Research is continuing to try and find more history of those who ran the windmill in the past. The body of the mill was undoubtedly rebuilt in the early 19th century, and at some time its machinery was modernised. The modernisations included the fitting of a fantail (on the back of the cap) to turn the cap into the wind automatically, the fitting of a pair of patent sails, and adding interior refinements such as a governor (for some automatic adjustment of running speed), a smutter (to clean the grain), and a bolter (to sift the flour).

The windmill was in use until around 1915. After this it was used in the 1920s as a weekend cottage. However despite some obvious attempts at weatherproofing (with corrugated iron sheets and roofing felt), by the mid 1930s it was in a poor condition, and rapidly deteriorating.


The brake wheel

An idea of how complex a piece of machinery a windmill is can be gained by taking a journey in reverse down the structure. We star at the CAP, and then go down each of the four floors of the mill, starting at the top with the DUST FLOOR, then the BIN FLOOR, then the STONE FLOOR, and finally the MEAL FLOOR, which is the basement of the mill.

The CAP is the part of the windmill that automatically rotates to enable the main sails to face the wind. The wind shaft is a huge piece of timber across the centre of the cap. Protruding from the front of the cap, and on the end of the windshaft is a metal canister which holds the main sails. Inside the cap, and on the windshaft, is a large wheel called the brake wheel. To carry the drive down the mill, teeth on the brake wheel engage with teeth on another wheel called the wallower.


Wallower

The DUST FLOOR was so called as this was where the sacks of grain were unpacked for milling. It is dominated by the vertical main shaft which travels down three floors of the mill. On the top of the main shaft is the wallower whose teeth engage with the brake wheel, transferring power (when the main sails are turning) down the mill to the machinery on the floors below. The main shaft, the wallower, the brake wheel and the wind shaft are all made of oak, and all probably date from around 1650. Also on this floor are two bins or hoppers which store grain and flour for the two machines on the Bin Floor below.


Bolter for sifting flour

The BIN FLOOR is where power is taken off the main shaft by a metal wheel which has been made in two sections to clamp around the wooden main shaft and where the grain is graded and polished prior to milling. There are three pieces of machinery on this floor. Firstly, the sack hoist is used to haul sacks of grain or flour up the mill. Secondly, a smutter which is a machine used for cleaning the grain before it was ground. Thirdly, a bolter which is a sifting machine used for grading the flour. The Smutter and Bolter at Lacey Green are 19th century machines that were brought from another mill during the restoration, to replace similar ones that were beyond repair. Also on this floor are two bins or hoppers which are loaded with grain for grinding on the Stone Floor below.


Millstone

The STONE FLOOR is where the actual milling is done. On this floor is a large beam which supports the weight of the main shaft. Power is taken off the main shaft via another very old wheel called the Great Spur Wheel. Much smaller cog wheels called stone nuts can be engaged with the teeth on the Great Spur Wheel to drive either of two pairs of mill stones. One pair are Derbyshire Millstone grit, used for coarse grinding of oats or barley for animal food. The other pair are French Burr Stone, used for the finer grinding of wheat into flour. As the meal floor below is partly sunk down there are two doors on this floor for loading the sacks of flower directly into carts as the door heights lined up with the cart heights.

The MEAL FLOOR is below ground level, there are massive timbers around the middle of the floor which support the millstones on the floor above. Between these timbers there are two flour boxes or bins to catch the products being ground by the millstones. The underneath of the bed (or fixed) millstones can be seen above the flour boxes. The weight of the top (or runner) millstones is carried by horizontal timbers on this floor, where adjustments to the gaps between the millstones would be made.

All the restoration work has been done by volunteers, led by Christopher Wallis, who devised the methods by which the collapsing mill could be straightened, strengthened and made watertight to survive into the future. Volunteers open the windmill to the public on at least 25 afternoons each year. It is necessary for visitors to park in Pink Road, and then walk up the path to the windmill, as we have no access for visitors' cars. At the entrance, there are 3 steps down into the basement of the windmill. Inside, all four floors can be visited; however the access between floors is only by fairly steep steps and ladders. Unfortunately, this all makes the mill rather inaccessible to most disabled people. As a historic listed building with limited space, it is impossible to alter this situation. At the other end of Pink Road is the famous Pink and Lily Pub which is associated with the war poet Rupert Brooke. (http://daithaic.blogspot.com/2009/03/rupert-brooke-and-chilterns.html )



Lacey Green Windmill, like all the mills in the Chilterns area, is a much loved feature of the landscape and a fascinating journey back in time. The ingenuity and craftsmanship involved in these pre-industrial machines is impressive. For instance the cog teeth in the mechanisms were made from fruit wood (apple and pear) as this timber is both harder and self lubricating and a lot of the rope controls on the hoists are “sprung” with ash saplings. The volunteer cadre at Lacey Green are particularly charming people dedicated to sharing their enthusiasm with you and showing you around the excellent exhibition and the mill workings. Their enthusiasm for this part of our heritage is infectious and who knows, maybe wind power is an idea whose time has come again?

Lacey Green Windmill

Location


Grid reference - SP 819 008
OS Sheet – 165

Postcode - HP27 0PG

About 2 miles south east of Princes Risborough, behind ‘The Whip’ pub, in Lacey Green. Signposted from A4010.

Opening times
May to September, Sundays & Bank Holiday Mondays, 14.30 - 17.30. Last admission 17.00.

Website
www.laceygreenwindmill.org.uk


National Mills Weekend
http://www.nationalmillsweekend.co.uk/nmw.htm


Sunday, 3 May 2009

Bledlow Manor Gardens


The Manor House

Having written recently about the gardens at the Manor House Bledlow it was pleasant on this Bank Holiday weekend to head back to Bledlow to see the gardens for the first time in a number of years. Bledlow’s main residence is Bledlow Manor, the family home of Lord Carrington who opens its wonderful grounds and sculpture garden for charity. Opposite the manor is an impressive old Church and beside it the Lyde Garden which is a sunken aquatic garden fed by 14 springs. Lord Carrington generously created this garden from an old quarry and he maintains this lovely enclave and keeps it open to the public at his own expense.

(http://daithaic.blogspot.com/2009/04/chiltern-spring.html )


Entrance to The Lyde

Bledlow consists of Bledlow Ridge on the top of the escarpment and then a half mile below the village of Bledlow clumped around the Manor House and Church.

"Bledlow is the most western of the villages which stand on the northern spur of the Chilterns, and one of the most attractive. It is charmingly placed just above the low-lying meadows which stretch across the Thame Valley to Haddenham. A large, straggling village shaded by elms; behind it rises Wain Hill, some of it all woodland, the rest bare down."
[Buckinghamshire, by E. S. Roscoe]


Opposite the church and The Lyde is Bledlow Manor, dating from the 17th century and early 18th century. It has been the family home of the Carringtons since 1800, the present owner being Lord Carrington, the former Conservative cabinet minister. The garden, which can normally be glimpsed only from the outside, is described in the Good Gardens Guide as "an elegant English garden of exceptional quality". The garden is open by written appointment from May to September, and occasionally for charity. The large yet tranquil garden has been in development since 1969. The garden was designed by Robert Adam and contains many individual areas including an impressive vegetable garden. There are long herbaceous borders and, to the east of the house a sculpture garden.


Manor Entrance Front


Patricia Volk "New Renaissance" 1993


Marino Colonna "Primitive Form" 2005

The setting at the manor is exceptional; it is built in an airy position on top of the ridge but has a heightened sense of enclosure from the wonderful mature trees surrounding the house and gardens. Beautifully planted and well maintained, it has all been made on thin chalk soil since 1969. There are four parts: first, the garden 'proper' round the house, enclosed by hedges of beech, hornbeam or yew. Best is the armillary garden, an exercise in topiary with the sphere at its centre, surrounded by four cubes of yew, smaller hedges and labels of box. Next comes the walled garden with a gazebo in the centre whose eight trellised posts are planted with rambling roses. The central grass walk is lined with apple trees trained as spheres around a wire globe: they rise from parterre boxes of teucrium, each planted with a different herb - sage, chives, Greek oregano and so on. The third part of the garden is quite different - 2½ acres of sculpture garden, started in 1991 and already remarkably mature. The land has been contoured to maximise the movement of the surface, and give contrasts of height and depth. Its fluid modern design is a great foil to the formal gardens around the house. The presiding spirit is a life-size gorilla by Michael Cooper.


Michael Cooper "Gorilla" 1993


John Robinson "Immortality" 1992


Peter Randall Page "3 Fruits"

The fourth part of the garden is different again - four acres of water garden, started in 1979 on the site of three old watercress beds. The 14 springs which issue from its sides are the headwaters of the River Lyde, a tributary of the Thames. The steep valley sides are thickly planted with shrubs and herbaceous plants. A wooden walkway, Japanese in style, takes you round the edge of the lakes at the bottom. The muddy banks are planted with candelabra primroses, gunneras, hostas and astilbes. Unlike the rest of the garden, this part is open daily (and free) from dawn to dusk.


Alistair Lambert 1991


Terence Coventry "Avian Form" 1999


William Pye "Coracle" 2001

Peter Carrington was wandering about unobtrusively and indeed when I was getting a cup of tea came up beside me and “asked” if he could steal a biscuit. Shame on him, as a Lord of the Realm he should at least have “stolen” a slice of ginger cake containing a sinful amount of golden syrup! What I can tell you is he looks very well for a man of 89 years going on 90, no doubt helped by the wonderful fresh vegetables and fruit produced in the working kitchen garden. As part of the fundraising efforts for charity teas were being sold, there was a selection of plants from the gardens and also Bledlow Manor honey and beeswax products. Lord Carrington was born in London on the 6th June 1919 and has had a long and distinguished career. He was Secretary of State for Defence 1970 – 4, Foreign Secretary 1979 – 82; Baron (succeeded to title) in 1938. An ancestor, Robert Smith, had been banker and adviser to the younger Pitt at the end of the eighteenth century and was given a peerage. The story is that he complained to William Pitt that he could not keep him company when he rode his horse in Rotten Row in Hyde Park, London as it was restricted to nobles and on that basis he was elevated “upstairs” to the Lords.




Spurge Euphorbia "Lambrook Gold"

Peter Carrington has achieved much in different fields — the military, diplomacy, in government. He was educated at Eton and Sandhurst and inherited his title in 1938. Because of service in the 1939 – 45 war he did not enter the House of Lords until 1945. He was commissioned in the Grenadier Guards and served throughout World War II. He took part in the campaign in France and the Low Countries, reaching the rank of major and being awarded the Military Cross (MC). He ended up as a tank commander and I remember him being asked what his biggest regret was and he replied “Not getting a clear shot at Himmler.” In 1945 his column was approaching Hamburg and Himmler’s convoy crossed in front of him but they could not swing their turrets around quickly enough to shoot him. I’m sure his biggest regret was actually his comrades who never made it back but, like many of his generation, he is too much of a stoic to say so.






Grain store in grounds raised on tapered "stilts" to keep the grain dry and vermin out

At the end of World War II Carrington chose to return to the family's country seat at Bledlow near Aylesbury, Buckinghamshire, to take a leadership role in reforming British farming practices and to occupy his seat in the House of Lords. His natural instinct for leadership not only led him into positions with the County Council, but also caused him to be made an opposition whip in the House of Lords during the two post-war Labour governments. When the Conservatives returned to power in 1951, Carrington became a parliamentary secretary at the Ministry of Agriculture and Fisheries. He was, at age 32, one of the youngest members of the government. British farm production was increasingly considered a key task for the government, which was faced with severe balance of payments problems. In 1951 he led the British delegation to the sixth conference of the Food and Agriculture Organization in Rome. He also served as chairman of the Hill Farming Advisory Committee for England, Wales, and Northern Ireland and was a member of the working party on agricultural education set up by the ministry in 1952. He also served a relatively brief stint as parliamentary secretary to the minister of defence after October 1954; he was notable in that position for downgrading traditional shipbuilding in favour of modern electronic naval weaponry. But he made little apparent progress in that regard.


Plans for the Kitchen Garden




Owen Turville 1997 "Vertummus Mural (Archimbaldo)"




The Kitchen Garden

Among his early posts were High Commissioner in Australia, First Lord of the Admiralty (1959 – 63), and leader of the House of Lords (1964 – 70). Carrington became a close friend and political ally of Ted Heath. When the latter formed his government in 1970 Carrington was made Secretary of State for Defence, to which post he added the party chairmanship in 1972 and, briefly, the newly created Energy Department at the time of the energy crisis in early 1974. Carrington was blamed by some Conservatives who thought that the election campaign in February 1974 had been badly managed. The election was forced by the coal miners' strike against the government's statutory pay policy, at a time of acute energy shortage. Carrington was one of those who favoured an early election, earlier than the one that was eventually called.




Garden Sculptures

In Opposition between 1974 and 1979 he had an uneasy relationship with the new party leader, Margaret Thatcher. She respected his experience, contacts, and tactical advice. But he stood for a different kind of conservatism from hers — he was more internationalist and more pro-European abroad and more conciliatory at home. Appointed Foreign Secretary in 1979 he played a key role in the passage to independence of Rhodesia/Zimbabwe and in maintaining reasonable relations with the EC; the latter were dominated at the time by Mrs Thatcher's strident insistence on eliminating a good part of Britain's net deficit with the Community.
The work of the Foreign Office on a scheme for the leaseback of the Falkland Islands to Argentina was one among many signals which led the military regime in Argentina to think that Britain would acquiesce in its seizure of the islands. When Argentina did so, opinion in Britain regarded the event as a national humiliation and, following party criticisms, Carrington resigned as Foreign Secretary. This was a step that Mrs Thatcher much regretted. But he was offended by the criticism and his resignation probably helped Mrs Thatcher. Subsequent official inquiries into events leading to the war cleared the Foreign Office and Carrington of any blame in the matter.


Lord Carrington as Chancellor of the Garter Knights at Windsor

After leaving government Carrington continued to play a public role. He was Secretary-General of NATO (1984 – 8), and chaired the peace conference on Yugoslavia (1991 – 2). Carrington represented the aristocracy's tradition of public service. He was regarded as a politician with a sense of proportion, one who was a good diplomat because he respected other points of view and also had a sense of the limits of what politics could achieve.
He published his memoirs, Reflect on Things Past, in 1988.



On this fine day at Bledlow you see a different Peter Carrington. A courteous gentleman who is greatly respected in Buckinghamshire (even by lefties like me) as a person who cares about the area, the countryside and is a good neighbour. It may seem strange that somebody like him opens up his house but he is on a personal level genuinely unpretentious and cares about his community, indeed as a “One Nation” Tory his politics is an extension of his caring for the community. There is no sense that he hides away or cares unduly about security, indeed on a previous occasion when I asked him about this he said he had had a sculpture stolen from the garden the previous weekend! And it is instructive that this wealthy man spends his money on developing the Manor and Farm and encouraging artists with the sculpture pieces he has commissioned over the years. Indeed his feel for this is evident in the sitting of the works where the sculptures act as a foil to the planting and don’t overwhelm. The gardens at Bledlow Manor are worth visiting for their beauty and their ability to delight and are obviously a labour of love for Lord Carrington. We can be grateful that he is happy to share them with us for charity. For this Tory there most definitely is a Society!

For details of gardens open for charity;

The National Gardens Scheme

www.ngs.org.uk